I do not want this test to be too large, so I opt for the latter. So I can increase the space between vectors, scale up the entire graphic, or reduce the complexity. The tool needs to be used very carefully to ensure zero overlaps. Furthermore, the live paint tool doesn’t merge vectors that share edges which further increases cuts. I think the gaps between the vector shapes were too tight causing the machine to retrace previous cuts and pull up material. My material was not cut cleanly resulting in some sticker on the plastic that contains the blade. Within the advanced settings for the vinyl cutter, the size of material can be communicated from the vinyl cutter to the computer. The computer communicates with the device through a standard print dialogue. I reduced the artboard for the graphic, removing extra space. Do not load an oddly cut piece because this sections of the material may not fall under the wheels. The machine automatically scans the sheet and records its dimensions. In this case, I used a piece of scrap material loaded as a sheet designation. Return the clamp lever to the pressed position and notify the machine material is loaded. Align the sheet to the far left, parallel to one of the vertical lines along the front of the machine, and position the wheels to the furthest edges of the paper within the white marked zones. Now: cut time.įirst load the material into the machine. I converted the graphic into a composition of vector shapes using the live paint tool. To test the vinyl cutter, I prepared a bēstia logo in Adobe Illustrator.
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